• The standout was Joyce Yang, who gave a knockout performance.
  • She is one of the great chamber music players of her generation.
  • Tremendous suggestive power and imagination.
  • Glittered and roared…feisty and even witty


October 30th, 2014

This past July the New York Times praised Joyce Yang's “sumptuous, powerful, subtle performance” of Rachmaninoff's First Concerto with the New York Philharmonic.  This season she plays the Russian composer’s Rhapsody on a Theme of Paganini from Albany to Victoria, British Columbia. Take a Rachmaninoff break and watch her performance of the Rhapsody with the Melbourne Symphony from a performance last spring. Click here to view. 

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Joyce Yang performs Rachmaninoff: Étude-Tableaux Opus 33 No. 6
Joyce Yang is more than a young pianist who can dazzle with sheer technique. What makes her special is what she does with the music. Sunday in the tent she tackled one of the most popular and familiar concertos in the literature, Tchaikovsky's Piano Concerto No. 1, and created moment after moment that surprised a listener with a bit of extra musical insight.
Aspen Times
Harvey Steiman